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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1661441466296-LJPHTPVS2LH3XJTJTWC1/220823_Frank_7.jpg</image:loc>
      <image:title>Work - Conversation Pieces</image:title>
      <image:caption>Conversation Pieces, 2022, containers, steel, stainless steel, dimensions: 2.5 inches square, variable heights, photo: Cami + Brady @Loam.Marketing Made during the Boxed | Unboxed workshop at Penland School of Crafts.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1738968410953-OLKMJMHUDBS6VA4SL9HJ/H_24-10_Rebekah-Frank_Pieces_0028_%28c%29MichaelKoerner.jpg</image:loc>
      <image:title>Work - Rebekah Frank, Village Texture series, 2024, steel, iron, copper, stainless steel, photo: Michael Koerner</image:title>
      <image:caption>This group of containers were made in Bad Goisern, Austria during the Salzkammergut Craft and Art Lab (SCALA), a project of the European Capital of Culture.</image:caption>
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      <image:title>Work</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1756510572982-6YAWWT96A5FM5CX9MFWL/SundayMorning1b-web.jpg</image:loc>
      <image:title>Work - Rebekah Frank, Sunday Morning - Encompassing Collar, 2025, necklace, steel, 21 x 5 x 0.125  inches, edition of 3</image:title>
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  <url>
    <loc>https://www.rebekahfrank.com/about</loc>
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    <priority>1.0</priority>
    <lastmod>2025-02-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1590878970921-G2F5GAURF8CAGQTKGUO9/i-CL4qdRp-X4.jpg</image:loc>
      <image:title>About - Find my work at the following art jewelry galleries:</image:title>
      <image:caption>Rebekah Frank in her studio, photo: Lydia Daniller</image:caption>
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  </url>
  <url>
    <loc>https://www.rebekahfrank.com/contact</loc>
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    <priority>0.75</priority>
    <lastmod>2019-08-30</lastmod>
  </url>
  <url>
    <loc>https://www.rebekahfrank.com/insta</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-03</lastmod>
  </url>
  <url>
    <loc>https://www.rebekahfrank.com/queer-masc</loc>
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    <priority>0.75</priority>
    <lastmod>2020-11-03</lastmod>
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      <image:title>Queer Masc</image:title>
      <image:caption>Demetri Broxton and matt lambert</image:caption>
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      <image:title>Queer Masc</image:title>
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      <image:title>Queer Masc</image:title>
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      <image:title>Queer Masc</image:title>
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      <image:title>Queer Masc</image:title>
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  </url>
  <url>
    <loc>https://www.rebekahfrank.com/words</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-05</lastmod>
  </url>
  <url>
    <loc>https://www.rebekahfrank.com/celestial-bodies</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-11-08</lastmod>
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      <image:title>Celestial Bodies - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1633406151264-XWGIHGNZ0TKS0VL3B1AS/NYCJW+-+Promo+Circle.jpg</image:loc>
      <image:title>Celestial Bodies - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Celestial Bodies</image:title>
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      <image:title>Celestial Bodies - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.rebekahfrank.com/queer-metals</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/d9c64f23-779e-4e58-b8e7-3a2d03869b07/Craftspace+logo+large+115mm%2B.jpg</image:loc>
      <image:title>Queer Metals - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1697e153-8bc3-4676-9f51-2c4a3b39e7bc/lottery_Logo_Black+RGB.jpg</image:loc>
      <image:title>Queer Metals - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/20638210-6545-42f0-ae2f-1da6f796d795/queer-metals_1600x400px_bench.jpg</image:loc>
      <image:title>Queer Metals - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1646437145343-YRBD64VTAKCUI7LCVLHM/QMP-Deirdre_QueerMetalsProject.jpg</image:loc>
      <image:title>Queer Metals - Deirdre Figueiredo | she/her | GB</image:title>
      <image:caption>Queer + Metals is a Craftspace exhibition co-curated by Dauvit Alexander and Deirdre Figueiredo in collaboration with Rebekah Frank. The exhibition explores the multiplicity of queerness—whether as identity, lived experiences, thinking, cultures, aesthetic, influences, stories, place, and imagination—in relation to metalwork and metalsmithing. Rebekah’s Instagram page, @Queer.Art.Words, will be dedicated to sharing the work of queer metal artists during the month of March.  Photo Credit: Deirdre Figueiredo, director of Craftspace and co-curator of Queer + Metals, photo: Richard Battye</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1646437145802-ZDKA5BXPTFUW8D4F338I/QMP-Dauvit-Alexander---Walk-Like-A-Man-%28Sex-Crime%29-Photo-Boris-Bally.jpg</image:loc>
      <image:title>Queer Metals - Dauvit Alexander | he/him | Gb</image:title>
      <image:caption>Presenting the work and perspectives of such an incredibly varied group of makers in public spaces like Instagram and the exhibition space is an opportunity for a wider audience to become more aware of diverse cultures. Dauvit, Deirdre and Rebekah identify as LGBTQ+ as part of their intersectional identities, making this project a personal and collective endeavour. It’s a means to affirm, empower and express solidarity between LGBTQ+ creatives, making visible the ways they are shaping, disrupting and contributing to contemporary craft and design practices.  Photo Credit: Dauvit Alexander, Walk Like a Man (Sex Crime), photo: Boris Bally</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1646437146673-XCRH9BVXIQ2BYAIZB0GV/QMP-Rebekah+Frank.jpg</image:loc>
      <image:title>Queer Metals - Rebekah Frank | she/her | US</image:title>
      <image:caption>From the 120 makers who responded to the survey, 16 will be featured here and 8 more will expand on their ideas through a recorded video interview. The exhibition in Hereford, UK will include both images from the IG feed and the video interviews produced as part of San Francisco based metalsmith and writer Rebekah Frank’s digital residency with Craftspace. An essay about the project will be released when the exhibition opens during the Ferrous Festival on March 25. Thanks to everyone who participated in the survey!  Photo Credit: Rebekah Frank in her studio, photo: Lydia Daniller</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1646437171788-68HVR3T1ARITYBSRHETV/ChrisLucibella_image-asset2.jpg</image:loc>
      <image:title>Queer Metals - Chris Lucibella | she/her | US</image:title>
      <image:caption>“The way I understand my own queerness is in terms of involuntary separation and deviance. Specifically, several aspects of me–my sexual orientation, my gender identity and presentation–mark me as indelibly separate from the norm. This is not by my choice but because our shared social world establishes "normal" and "deviant" identities, behaviors, lifestyles, and ways of living. By being authentically myself, I am determined to be deviant and therefore, separated from the norm.” Photo credit: Chris Lucibella, Evolution of Form, 2021, forged and fabricated steel, photo: Artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1646437172334-T51ELRNZ0A5SG9HV1AGH/ChrisLucibella_portrait-sq.jpg</image:loc>
      <image:title>Queer Metals - Chris Lucibella | she/her | US</image:title>
      <image:caption>Chris Lucibella creates metalwork that ranges from jewelry to ornamental ironwork. Her current focus is using forging and blacksmithing techniques as sculptural processes, especially in bronze and other non-ferrous metals. She also teaches welding and blacksmithing classes and takes custom commissions. Photo credit: Portrait of Chris Lucibella, photo: Artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1646437171111-IIX7FDEGV554EQZBH8YF/ChrisLucibella_image-asset.jpg</image:loc>
      <image:title>Queer Metals - Chris Lucibella | she/her | US</image:title>
      <image:caption>“Queer metal is a promissory declaration. It's a commitment to create authentically, to support each other collectively, and to collaboratively work to dismantle the power structures that reduce us to disenfranchised identities. Queer metal is also promissory as an "indication of something to come; full of promise." I see queer metal as expressing a determinative statement about what comes next for us all: the future is radically, inevitably queer.” Photo credit: Chris Lucibella, Readiness to Hand, 2021, forged and fabricated steel and copper, photo: Artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1646437266697-T7JB6WR0SR85IN7WFTAQ/RoxanneSimone_90839638-77A5-4BEE-8F8A-6DC8F30F7ABD.jpg</image:loc>
      <image:title>Queer Metals - Roxanne Simone | she/her | GB</image:title>
      <image:caption>What does queerness mean to you? “My queerness is defined by every part of my complexity loving and being loved by people. My pansexuality is fluid however committed to the moment &amp; the person. I believe my work is also exploring queerness through, process of making, form and colour.” Photo Credit: Roxanne Simone, Untitled, (Lunar), 2021, sterling silver patinated, and hydroformed object. Received the “Precious Metal Award” from Goldsmiths in 2020. Photo: Artist</image:caption>
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      <image:title>Queer Metals - Roxanne Simone | she/her | GB</image:title>
      <image:caption>Roxanne Simone is a Black, British, Working class woman. She uses TIG welding and hydroforming to shape sterling silver and copper into objects. Her metalwork explores the dismantling of physical and metaphorical boundaries within contemporary craft and focuses on the reimagining of diasporic identities, gender, and the imperfect Object. Photo Credit: Studio portrait of Roxanne Simone, photo: @alaa.hindia</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1646437267050-FUB5GG9JM34B7H94RGF2/RoxanneSimone_IMG_5075.jpg</image:loc>
      <image:title>Queer Metals - Roxanne Simone | she/her | GB</image:title>
      <image:caption>What is queer + metal? “I am not sure but I like the sound of queer metal. I enjoy challenging the othering that takes place when my pieces are viewed in a ‘contemporary’ metalwork context.” Photo Credit: ‘Iboyá’ Essence Vessels, a collection of objects telling an autobiographical tale, inspired by Ancient Egyptian Canopic Jars and Yoruba Mythology. Photo: Artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1647044592310-Z88IMQPIIXUXS06D9W5A/AdamAnderson_DSC_0130_sq.jpg</image:loc>
      <image:title>Queer Metals - Adam J. Anderson | he/him | IL + AU</image:title>
      <image:caption>What is {queer} + {metal}?⁠ ⁠ “A concept such as queer metal involves an oppositional stance to the traditional or dominant use of metal, especially as it is functions within capitalist economies and patriarchal societies. I expect it would include a focus on identity and that it would be immensely inclusive. I hope that queer metal has a reparative, forgiving, and humorous spirit, with an activism careful not to exclude people based on age, religious views, appearance and presentation, or “level of queerness”.”⁠ ⁠ Photo Credit: Adam J.D. Anderson, Solid Carapace, 2021. Ear Cuff: 2021, heat coloured titanium, silver, pearl, garnet, and peridot; Glasses: 2021, heat coloured titanium, silver, garnet and carnelian; Ring: 2020, fine silver and inclusion cast lab ruby, silver chain. Photo: @Malki_Studio @LiaritaAnderson</image:caption>
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      <image:title>Queer Metals - Adam J. Anderson | he/him | IL + AU</image:title>
      <image:caption>Adam Anderson’s practice is centered on the body. He creates fetish objects and costumes that he incorporates into live and remediated performance art to explore their relationship and contribution to understandings of identity. His practice is sustained by the transformative power of objects in performance art, which can be used to explore, learn, and gain respect for oneself, others, and the environment.⁠ ⁠ Photo Credit: Adam J.D. Anderson, Ring: cast bronze with titanium inclusions, amethyst, freshwater pearls, fossilised red crown coral cabochons, lapis lazuli.⁠</image:caption>
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      <image:title>Queer Metals - Adam J. Anderson | he/him | IL + AU</image:title>
      <image:caption>How do you define queerness?⁠ ⁠ “While I strongly identify with being gay, I do not strongly relate to masculinity. I feel excluded from queer identity categories such as gender fluid or non-binary. These categories are not universal; their application has a very Western and contemporary scope. There are also strong associations between categories of queer identity and (supposedly) corresponding types of body and lifestyle. I think that my life and my body have no place within this paradigm.”⁠ ⁠ Photo Credit: Adam J.D. Anderson, McCavanagh’s Great Bridge, 2019. Photo: @LiaritaAnderson</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1647044789580-1QMB2F3SXR8GK3UF2MXS/TomHill_download_sq.jpg</image:loc>
      <image:title>Queer Metals - Tom Hill | he/him | UK + US</image:title>
      <image:caption>What does {queer} + {metals} meant to you?⁠ ⁠ “I use metal in a textile-ish kind of way; I don’t weld or work in a muscular way with the metal. I join things with knots, create meshes, and textures. I don’t know that I would make the same work if I were straight ... of course I wouldn’t be me so maybe that’s a ridiculous statement. I do feel that (completely unselfconsciously) my working in metal does challenge preconceptions about who works in metal and what metal sculpture can and should be.”⁠ ⁠ Photo Credit: Tom Hill, Bird, wood, steel wire. Photo: Artist⁠</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1647044790468-FRDE0LOXPQIHVXIR7J29/TomHill_download-%282%29_sq.jpg</image:loc>
      <image:title>Queer Metals - Tom Hill | he/him | US + UK</image:title>
      <image:caption>Birds have long inspired artist Tom Hill’s mixed media sculptures made of carved wood, forged copper, and steel. The birds that he builds are characterizations of real species like owls and black birds, capturing their natural personalities in a playful, even cartoonish way. He gives them big, rounded and expressive eyes, delicate feathers spun out of hardy wires, and long, spindly legs. Photo Credit: Tom Hill, Birds, wood, metal. Photo: Artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1647044789635-GSZXNN9M05RRA0SRVWPB/TomHill_download-%281%29_sq.jpg</image:loc>
      <image:title>Queer Metals - Tom Hill | he/him | US + UK</image:title>
      <image:caption>“My work is really about using line to create form, describe texture, and to convey the character and gesture of various animals. I think that I view the world as an outsider and feel much closer to animals and nature than I do to other humans.”⁠ ⁠ Photo Credit: Tom Hill, Octopus, mild steel wire. Photo: Artist⁠</image:caption>
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      <image:title>Queer Metals - Arlo Hennessy | he/him | US</image:title>
      <image:caption>Arlo Hennessy, coordinator at PIW, notes that “manual labor is stigmatized. When it's not, the safe and good paying union jobs are prohibited through gate keeping. This keeps otherwise qualified black, indigenous, immigrants, poc and lgbtqia+ people from ever making it in the door. If they make it that far they have to work twice as hard with twice the harassment just to prove themselves. As a black trans man with mixed heritage who grew up in New England, to me change is imperative. I'm thrilled to be part of a team that will invest in our students and the industries they are placed in so that everyone thrives." ⁠ ⁠ Photo Credit: Portrait of Arlo Hennessey. Photo: PIW⁠</image:caption>
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      <image:title>Queer Metals - People's Inclusive Welding | US</image:title>
      <image:caption>People’s Inclusive Welding (PIW) intends to curate a safe and supportive environment for underserved and underrepresented communities to participate in and successfully complete a welding training program as well as worker’s rights education so that they may enter into a high paying career within the blue collar industry. We aim to reshape New England’s current demographic of the blue collar industry by guiding well trained and highly informed individuals into positions of employment where they can succeed both as an employee and as a healthy and happy human being.⁠ ⁠ Photo Credit: PIW Logo. Photo: PIW⁠</image:caption>
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      <image:title>Queer Metals - Jo Remillard  | they/them | US</image:title>
      <image:caption>Jo Remillard is a former restaurant worker, bridge builder, shipyard welder, boilermaker and founder of People’s Inclusive Welding (PIW). “As a welder, I found myself being the only femme in most rooms and I put up with all of the language you might expect from a white male dominated trade. The industrial side of welding really had me using toxic masculinity as a way of blending in, being one of the boys. Once I began to dive into art, it was super healing to use my trade freely and creatively while unlearning the toxic behaviors I had so heavily adopted.”⁠ ⁠ Photo Credit: Portrait of Jo Remillard. Photo: PIW⁠</image:caption>
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      <image:title>Queer Metals - Annie Higgins | she/her | UK</image:title>
      <image:caption>“Forging is an immersive and whole-body experience. I can be grounded in myself as I become more aware of how I move and how my limbs and core work for me. Rather than existing as a concept in the perceptions of others, I am able to live and create through my strength and my senses in a way that is exclusively mine. The process of forging allows me to reclaim my body for myself in a way that I find empowering.”⁠ ⁠ Photo Credit: Metamorphosis 2, 2020, steel, photo: Artist⁠</image:caption>
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      <image:title>Queer Metals - Annie Higgins | she/her | UK</image:title>
      <image:caption>“For me, the attraction to forging is the way it reframes my relationship to my body. Entering a male-dominated field as a queer woman, I found that my body was often defined by how it was perceived by others. I am [gender] nonconforming and experience my sexuality outside of any concept of gender. It frustrates and angers me that something that bears so little influence over who I am as a person so deeply defines the way in which I am treated.”⁠ ⁠ Photo Credit: Portrait of Annie at the forge. Photo: Artist⁠</image:caption>
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      <image:title>Queer Metals - Annie Higgins | she/her | UK</image:title>
      <image:caption>What is queer + metal?⁠ ⁠ “Steel is solid, hard, and cold. There is an internal vibrancy to it, an underlying metamorphic potential for fluidity. Because forging is neither an additive nor subtractive process, the volume must be manipulated and stretched to create new forms. The marks of construction characteristic of forged objects give simple pieces an underlying complexity that is beautiful and not always immediately visible”⁠ ⁠ Photo Credit: Metamorphosis 1, 2020, steel, photo: Artist⁠</image:caption>
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      <image:title>Queer Metals - Wyatt Nestor-Pasicznyk | he/him | US</image:title>
      <image:caption>“I'm a transman, though mostly I identify as a man and not as much with my transness as a whole. Over the years I’ve undergone a lot of aspects of medically transitioning and have become more comfortable just being the man I am today thanks to gender affirming care. Growing up in a rural area and with my job in agriculture I have to be stealth for both safety and comfort. I'm currently apprenticing under a farrier to learn the trade. So, building and shaping shoes through forging is becoming a part of my practice. Though in college I studied metalsmithing and jewelry and the majority of my work is champleve enameled pieces.”⁠ ⁠ Photo Credit: Wyatt Nestor-Pasicznyk, Pony Boy, cè   gold  . Photo: Artist⁠</image:caption>
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      <image:title>Queer Metals - Wyatt Nestor-Pasicznyk | he/him | US</image:title>
      <image:caption>“My queerness is cemented in working with my hands and trying to feel good in a craft that I love. Connecting with a material like metal gives me a place to feel good in myself and my body by creating something for myself and others. My experience in blacksmithing has been very gender affirming. Doing something traditionally considered to be so masculine makes me feel euphoric. I would like the world of blacksmithing and metalsmithing to become a more inviting and accessible place for queer people to experiment, learn, and gain an appreciation for the craft.”⁠ Photo: artist</image:caption>
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      <image:title>Queer Metals - Wyatt Nestor-Pasicznyk | he/him | US</image:title>
      <image:caption>“Dysphoria lessens over time, dissipates as self love, acceptance and wholeness is felt.⁠ Trans happiness is real, gender euphoria is possible. Not all trans people have dysphoria in the same way, just as not all trans people have dysphoria. Being trans isn't hating constantly yourself and your body. Trans self love is real. Gender euphoria is attainable. Dysphoria is a battle that can be won.”⁠ ⁠ Photo Credit: Wyatt Nestor-Pasicznyk, Dead Name, Self Made and Dysphoria (l to r), cè   24   ,  . Photo: Artist⁠</image:caption>
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      <image:title>Queer Metals - Jeremy Diamond | she/her/they | US</image:title>
      <image:caption>What is queer + metals?⁠ ⁠ “I think that the concept of queer metal is representative of a broader trend of queer people creating spaces for themselves and asserting their belonging within existing spaces previously characterized by cisheteronormativity. This occupation of space (more broadly but also within metals) is, in my opinion, necessary for the life and wellbeing of queer people (both individually and as a group).”⁠ ⁠ Photo Credit: Jeremy Diamond, Contact Poultice, 2020, titanium, silicone, thread. Photo: @unloadedmindset. I find myself increasingly interested in comfort, in softness, in harmlessness. ⁠</image:caption>
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      <image:title>Queer Metals - Jeremy Diamond | she/her/they | US</image:title>
      <image:caption>Jeremy Diamond is a metalsmith, digital fabricator, and interdisciplinary artist based in Athens, Georgia, where he is pursuing his MFA at the University of Georgia after earning his BFA from the University of North Texas. Diamond's work is characterized by an investigation of the relationship between objecthood and lived experience and the intervention of object and body upon one another.⁠ ⁠ Photo Credit: Jeremy Diamond, Sagitta I and Sagitta II, 2020, stainless steel, wood, bronze, paint. Photo: @galacticatlas and @dianaroee.⁠</image:caption>
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      <image:title>Queer Metals - Jeremy Diamond | she/her/they | US</image:title>
      <image:caption>"In this work, I am concerned with the sensory phenomenon of touch aversion, and the resulting phenomena of touch starvation and marasmus (a wasting disease once attributed to insufficient interpersonal touch). I seek to reconcile these conflicting phenomena by creating inert surrogates for tactile experience. These surrogates simultaneously function as comfort objects and pseudo-medical devices." ⁠ Photo Credit: Jeremy Diamond, Contact Quilt II, 2020, titanium, silicone, thread. Thinking about weight and sensation. Thinking about the quality of being inert. Photo: @unloadedmindset</image:caption>
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      <image:title>Queer Metals - Donna E. Price | she/her | US + AT</image:title>
      <image:caption>How do you define your queerness? ⁠ ⁠ “The definition of queerness for me, is opaque. As a 55 yr. old lesbian woman, the use of the word queer simply wasn't a term I used. In the mid to late 80's when I came out, the term queer was always used in a derogatory way. To a certain degree, I internalized the negative connotations of the word queer. In 2022, I still identify as a lesbian, but I greatly appreciate the expansive conversations about gender identity in contemporary society. I am inspired by the courage and the boundary-breaking work being done to crack open the veneer of societal expectations.”⁠ ⁠ Photo Credit: Donna E. Price, Untitled, wire, mixed media. Photo: Artist⁠</image:caption>
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      <image:title>Queer Metals - Donna E. Price | she/her | US + AT</image:title>
      <image:caption>Donna E. Price works with wire, repurposed aluminum (street signs), copper and metal objects as components for sculptural work. She makes jewelry, assemblages, utilitarian objects and sculpture. The wire objects are a study in repetition and patience. Every single piece of wire is hand-hammered flat, a process which takes hours. Her work is influenced by her love of nature but also is continually being shaped by the things\objects she discovers living in a different country as an American ex-pat living in Austria.⁠ ⁠ Photo Credit: Portrait of Donna E. Price. Photo: artist.</image:caption>
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      <image:title>Queer Metals - Donna E. Price | she/her | US + AT</image:title>
      <image:caption>What is queer + metal?⁠ ⁠ “Perhaps working with metal is a form of protection or a way to present myself. Maybe working with metal makes me feel stronger and shielded from societal judgments towards the LGBTQ+ community....metal as metaphoric armor. Perhaps working with metal presents me as an individual who is not afraid of a challenge. "Moving" metal is enormously satisfying - making the material bend to my will and refining it to my wishes.”⁠ ⁠ Photo Credit: Donna E. Price, Untitled, wire, mixed media. Photo: artist⁠</image:caption>
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      <image:title>Queer Metals - Jussi Järvinen | they/them | FI</image:title>
      <image:caption>What does {queer} + {metals} mean to you?⁠ ⁠ “Queer metal means me a way of working with material. There is the possibility to deconstruct the normative ideas of jewellery. For example, to challenge jewellery’s cis-heteronormative connotations. Despite my struggle with cis-heteronormative jewellery, I still believe that contemporary jewellery has an ability to materialize social and political relationships and it can be a powerful means for mobilizing change.” ⁠ ⁠ Photo Credit: Jussi Järvinen, Balls, 2021, soy wax, meat hook, aluminum, thread, pigment. Photo: @valtterinevalainen</image:caption>
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      <image:title>Queer Metals - Jussi Järvinen | they/them | FI</image:title>
      <image:caption>Jussi Järvinen is a nonbinary, queer artist based in Helsinki, Finland who recently graduated with a MFA from the HDK Academy of Design and Crafts, University of Gothenburg. Their work was selected for the prestigious Galerie Marzee Graduate Degree Show.⁠ ⁠ Photo Credit: Jussi Järvinen installs degree show examination presentation. Photo: Artist. ⁠</image:caption>
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      <image:title>Queer Metals - Jussi Järvinen | they/them | FI</image:title>
      <image:caption>How do you define your queerness?⁠ ⁠ “Queer is my identity category, but I see queer theory also as a great tool. It is an important framework for me and part of my working process. By great tool, I mean that with the queer theory it is possible to “queer up” things. By queering, I mean looking at things from a different angle, by being critical and questioning norms, structures, and binaries.”⁠ ⁠ Photo Credit: Jussi Järvinen, From the Series Horny, 2017, Pendants. Photo: artist</image:caption>
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      <image:title>Queer Metals - Society of Inclusive Blacksmiths | he/she/they | US</image:title>
      <image:caption>"Queerness is an internal thing for me. It doesn’t matter that people know I identify as queer, but being able to use that word to definite myself feels like comfort. It’s a deep breath, it’s like being home. I may be just one weird blacksmith artist person, but with the other members of the SIBs governance committee and the SIBs community, we can maybe actually do something good for this world. Being involved with SIBs lets me keep going, it staves off despair, it keeps me hopeful. There are so many huge and unsolvable problems roaming around out there. I can’t do much about most of them, but being involved with SIBs is the one thing I CAN do. I consider myself lucky to be involved with SIBs, because that means I get to interact directly with the community. You all are beautiful, truly! I hope you know just how much I love you! " — Joy Fire Photo: Joy Fire, photo: Chris Gibson ⁠</image:caption>
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      <image:title>Queer Metals - Society of Inclusive Blacksmiths | he/she/they | US</image:title>
      <image:caption>The Society of Inclusive Blacksmiths (SIBs) works to support smiths who have historically been marginalized in this field. We offer an online mentorship program, support scholarships at several schools, give away mini grants every month, post stories submitted by a variety of wonderful smiths, and host a platform to share jobs, classes, and other resources with our community. SIBs is anyone and everyone! There is no membership fee, we simply ask that anyone interested sign our code of conduct to commit to fostering an equitable, inclusive, and diverse community, wherever they are. ⁠ ⁠ Photo credit: SIBs Logo, designed by Ariana Sellers @kitsch_please ⁠</image:caption>
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      <image:title>Queer Metals - Society of Inclusive Blacksmiths | he/she/they | US</image:title>
      <image:caption>"The community SIBs fosters is the future. SIBs helps to uplift and level the field. SIBs helps me be a metalworker: a blacksmith/ welder/ artist/ designer/ agonizer/ spazz/ manic/ depressed/ adhd/ freak. I am not just a female blacksmith, not a white female, queer, androgynous, blacksmith, but all of those wrapped up  just a maker. It is a “yes ” situation. Like my colleagues, who are typically cis-het, white and male, yet have no determinations in front of their titles, my work should be seen away from systemic assumptions about gender and meaning. It is a privilege to gather with my peers and colleagues through SIBs to foster an environment of consideration  respect for everyone.⁠" — Rachel David ⁠ Photo: Rachel David, photo: Seth Boonchai⁠</image:caption>
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      <image:title>Queer Metals - Katia Rabey | she/her | RU</image:title>
      <image:caption>“When I need to buy supplies in Moscow (in a male-dominated store full of incredibly condescending staff), I dress to look like a clown (my favorite role), to not be confused with a woman but also (god forbid) not to be mistaken for a man. Giant baggy trousers in red and white stripes, a sweater with a pattern that looks like acid flashbacks, the silliest hat. I think this individual way of queerness originates from 1) mastering professional skills that gave me confidence and 2) learning to express myself through these skills.”⁠ ⁠ Photo Credit: Katia Rabey, Tongue Robot, 2021, stainless steel, brass, silver, powder coating, epoxy resin. Photo: @new_ars ⁠</image:caption>
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      <image:title>Queer Metals - Katia Rabey | she/her | RU</image:title>
      <image:caption>What is {queer} + {metals}?⁠ ⁠ “I actually prefer the word queer to all others, because it lets you identify yourself without any sort of particular image popping up in the head of a person you are talking to. When you say you're queer, who knows what your deal is. Anyway, if we're getting into specifics, I’ve been bisexual since I can remember Dana Scully on TV (so since I was 8 or 9) and have been able to describe my identity since I was 13.”⁠ ⁠ Photo Credit: Katia Rabey, Great Expectations, 2021, Models: @karkshusha @agata_staccato @foedor @rabeyka Photo: @ivan_tamazin</image:caption>
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      <image:title>Queer Metals - Katia Rabey | she/her | RU</image:title>
      <image:caption>“I call myself Katia Rabey, jewelry designer and your friend. You know how kids often think that all cats are girls and all dogs are boys? (With Russian kids, it extrapolates to foxes and wolves). And, somehow, this makes dogs superior to cats? So, naturally, the entire field of manual labor involving heavy tools like hammers and anvils was very much dogs and wolves. Like many girls my age, I suffered from internalized misogyny and working in metals felt like a solution. Developing my visual language through metal and metal-working technologies was a fun way of changing that narrative.” ⁠ ⁠ Photo Credit: Katia Rabey, Great Expectations, 2021, necklace. Photo: @new_ars ⁠</image:caption>
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      <image:title>Queer Metals - Kento Saisho | he/him | US</image:title>
      <image:caption>What does {queer} + {metals} mean to you?⁠ ⁠ “I don’t yet have a strong definition of queer metal. To me, Queer metal is subversive, innovative, and expansive. Queer metal is generous, giving, and supportive. Queer metal is strong, resourceful, and resilient.”⁠ ⁠ Photo Credit: Kento Saisho, Round spaceship vessel, 2021, forged and fabricated steel. Photo: Artist⁠</image:caption>
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      <image:title>Queer Metals - Kento Saisho | he/him  US</image:title>
      <image:caption>Kento Saisho (he/him) is an artist and metalworker currently based in Los Angeles, CA. Working primarily in steel, Kento makes sculptural objects, vessels, and contemporary artifacts. He graduated from the Rhode Island School of Design (RISD) and was a Core Fellow at the Penland School of Craft. ⁠ ⁠ Photo Credit: Portrait of the artist at his bench. Photo: Artist.⁠</image:caption>
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      <image:title>Queer Metals - Kento Saisho | he/him | US</image:title>
      <image:caption>Through an intuitive process between patchwork and collage, Kento Saisho makes sculptural objects, vessels, and contemporary artifacts in forged and fabricated steel. He was a recipient of the Emerging Artist Cohort from the American Craft Council and a Career Advancement Grant from the Center for Craft. ⁠ ⁠ Photo Credit: Kento Saisho, White Vessel, 2018, forged and fabricated steel, paint. Photo: @lukegnadinger</image:caption>
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      <image:title>Queer Metals - Amparo Pons Grau | she/they | ES + US</image:title>
      <image:caption>What does {queer} + {metal} mean to you?⁠ ⁠ “Metal has the potential to become anything. It morphs and reacts to every intervention to become sturdy or fragile. It can be shaped into delicate jewelry or monumental architectonic structures. If you err in your process, metal can be cut and put back together seamlessly. It is infinitely forgiving in its prolificness and potential for re-use. There is something in the resilience and transformative capacity of metal that is, to me, reminiscent of the queer experience.”⁠ ⁠ Photo Credit: Amparo Pons Grau, Two Truths &amp; A Lie from The Divinity in Disease series, 2021, steel, photo: Jason Caternolo @JCaternolo</image:caption>
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      <image:title>Queer Metals - Amparo Pons Grau | she/they | ES + US</image:title>
      <image:caption>Amparo Pons Grau is a sculptor who relies on blacksmithing, foundry casting (bronze, mostly) and a lot of TIG and MIG welding. They are interested in the intersection of traditional and digital interventions on metal, applying laser engraving or CNC cutting to generate different surface treatments. Amparo works in the School of the Art Institute of Chicago's metal shop, doing tool maintenance and providing project support for other students, which results in encounters with other techniques like soldering and powder coating.⁠ ⁠ Photo Credit: Amparo Pons Grau, Uprooted from The Divinity in Disease series, 2021, steel, photo: Jason Caternolo @JCaternolo</image:caption>
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      <image:title>Queer Metals - Amparo Pons Grau | she/they | ES + US</image:title>
      <image:caption>How do you define your queerness? ⁠ ⁠ “Metal has the potential to be immensely queer. I exist in the very specific cultural crossover of art school – often a very queer-positive space – and metalworking. It is a safe space where my metalworking peers can openly identify as queer metalworkers, just as I can. I define myself as queer as a way of simplifying both my identity as a woman who almost exclusively loves women and my existence somewhere in the ace/asexual spectrum.”⁠ ⁠ Photo Credit: Amparo Pons Grau, Portable First Aid Kits from The Divinity in Disease series, 2021, steel, photo: Jason Caternolo @jcaternolo</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1648146630013-BMVV36NFJ6LC3GMFJW62/MarkNewman-Matrix-Ring-No.1.jpg</image:loc>
      <image:title>Queer Metals - Mark Newman | he/him | IR + GB</image:title>
      <image:caption>“My practice draws visual inspiration from system design, civil engineering, and architectural theory. I deconstruct these in order to explore political and sociological ideas. I’m fascinated by the logic driven patterns found within systems humanity has created for purely utilitarian reasons. The wealth of visual information these patterns possess, and their inherent link to the functioning of society provide me with a mode of expression for my conceptual ideas.”⁠ ⁠ Photo Credit: Mark Newman, Hierarchy, 2021, ring, 18ct yellow gold and tourmaline. Stone cut by @berckwerkgems. Inspired by the recent destabilisation of global politics, the spread of misinformation online, and the digital world we have all been living on over the past year due to covid. Photo: Artist⁠</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1648146630129-OR2CD0OUEHF67AS8JOXH/MarkNewman_portait2.jpg</image:loc>
      <image:title>Queer Metals - Mark Newman | he/him | IR + GB</image:title>
      <image:caption>Mark Newman is Irish and lives between Ireland and the UK. He creates one-of-a-kind pieces for galleries, museums and private collectors from his studio located in the heart of Birmingham’s historic Jewellery Quarter. His work is created from precious metals and gemstones utilising traditional Goldsmithing techniques in conjunction with the latest advances in 3D-printing technology. Photo Credit: Portrait of Mark Newman, photo: @irishtimesnews</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1648146630637-8YOUQD63WXGDRY7318DN/MARKNewman-Modus-Vivendi_sq.jpg</image:loc>
      <image:title>Queer Metals - Mark Newman | he/him | IR + GB</image:title>
      <image:caption>“My practice draws visual inspiration from system design, civil engineering, and architectural theory. I deconstruct these in order to explore political and sociological ideas. I’m fascinated by the logic driven patterns found within systems humanity has created for purely utilitarian reasons. The wealth of visual information these patterns possess, and their inherent link to the functioning of society provide me with a mode of expression for my conceptual ideas.” Photo Credit: Mark Newman, Hierarchy, 2021, ring, 18ct yellow gold and tourmaline. Stone cut by @berckwerkgems. Inspired by the recent destabilisation of global politics, the spread of misinformation online, and the digital world we have all been living on over the past year due to covid. Photo: Artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1648520896673-30EER6LHIJQKP7AOI4TL/PaulIMcClure-5060.jpg</image:loc>
      <image:title>Queer Metals - Paul McClure | he/him | CA</image:title>
      <image:caption>What is {queer} + {metals}? “Contemporary (art) jewellery objects often remove gender and gemstones from jewellery, thereby making them confrontational, strange and othered. By taking gender out of jewellery it is profoundly subverted, its meaning changed so fundamentally that it is opened to fresh new forms of expression. Contemporary jewellery is (still) like nothing people have ever seen before. It freaks them out! Contemporary jewellery is queer.” Photo Credit: Paul McClure, Coccus, 2021, laser sintered silver. Photo: Artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1648520897922-DQM3INY6PQ6VR1KWZ33F/PaulIMcClure-5063.jpg</image:loc>
      <image:title>Queer Metals - Paul McClure | he/him | CA</image:title>
      <image:caption>Paul McClure is a metalsmith who has worked almost exclusively within the medium of wearable (art) jewellery for 30 years. His work is sculptural, with ornamentation and jewellery’s relationship to the physical body as central themes. The scientific fields of biology, pathology and genetics inspire his work. His work reflects our increasingly digital, biotechnological understanding of mortality. In wearing his jewellery, the invisible body becomes visible adornment. Photo Credit: Photo of Paul with his husband, photo: artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/1648520897044-OK3TEV33BVHQ4Y8OS3A6/PaulIMcClure-5061.jpg</image:loc>
      <image:title>Queer Metals - Paul McClure | he/him | CA</image:title>
      <image:caption>What does {queer} + {metals} mean to you? “All my work is informed by my queerness. Some objects are explicitly about queer issues or made for the queer community to wear. In other work, the queerness is implicit and certainly not intended solely for a queer audience. Playfulness and humour are often used to balance against themes of mortality, health, and the microscopic body – rooted in my queer youth and the fundamental impact of HIV/AIDS.”  Photo Credit: Paul McClure, VIRUS, SPIRILLUM, BLOOD CELL (clockwise from top left), 2021, brooches, 3D printed nylon, stainless steel, photo: artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.rebekahfrank.com/queer-metals-essay</loc>
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    <lastmod>2022-04-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/deb067b2-8ff7-49df-a6f5-3c923e75c2b0/Aaron+Decker%2CArt+Pieces%2C+photo-Jenn+Bondy.jpg</image:loc>
      <image:title>Queer Metals Essay - Make it stand out</image:title>
      <image:caption>Aaron Decker, Art Pieces, photo: Jenn Bondy</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/8889b662-605e-4c64-b4d3-0b5b31daa910/Cate+Richards%2C+Clean+Me+Up-Broomcorn%2C+photo-artist.jpg</image:loc>
      <image:title>Queer Metals Essay - Make it stand out</image:title>
      <image:caption>Cate Richards, Clean Me Up, photo: artist</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/ffc66f70-96f9-4ca5-b47e-ecc291419ec9/Jo+Remillard%2C+photo-artist.jpg</image:loc>
      <image:title>Queer Metals Essay - Make it stand out</image:title>
      <image:caption>Jo Remillard, photo: artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/722a200f-9ece-4f34-95fc-68d035fabed3/Joshua+Fincher%2C+photo-artist.jpg</image:loc>
      <image:title>Queer Metals Essay - Make it stand out</image:title>
      <image:caption>Joshua Fincher and David Bath, photo: artist</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/d1af86b2-e3a4-4a52-a0c8-d70c97f98b02/Marsh+Moran.jpg</image:loc>
      <image:title>Queer Metals Essay - Make it stand out</image:title>
      <image:caption>Marsh Moran, photo: artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/7eae0aca-fe9c-4b96-8c7a-89e879b3f2ea/Coker%2C+Inundated%2C+photo-artist.jpg</image:loc>
      <image:title>Queer Metals Essay - Make it stand out</image:title>
      <image:caption>Funlola Coker, Inundated, photo: artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/af27e102-e58f-4a0f-93a1-eb3969267254/Quim+Kamikaze%2C+photo-artist.JPG</image:loc>
      <image:title>Queer Metals Essay - Make it stand out</image:title>
      <image:caption>Quim Kamikaze, photo: artist</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/91072c0e-4c34-4560-a573-cd1c5f042efd/Rachel+David%2C+Phases%2C+photo-Sesthasak+Boonchai.jpg</image:loc>
      <image:title>Queer Metals Essay - Make it stand out</image:title>
      <image:caption>Rachel David, Phases, photo: Sesthasak Boonchai</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/7e314d3e-6aa3-46e9-bc46-b42b66a4a901/lottery_Logo_Black+RGB.jpg</image:loc>
      <image:title>Queer Metals Essay - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/aca6f438-b10f-40c4-b915-04bf834d5602/Byrd+Pappas-Custom+fire+wings%2C+photo-a+friendly+Burner.jpg</image:loc>
      <image:title>Queer Metals Essay - Make it stand out</image:title>
      <image:caption>Byrd Pappas, Custom Fire Wings, photo: friendly burner</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/6eccd57c-d891-4545-b0ac-6d00d7c6f5a1/Amparo+Pons+Grau%2C+photo-Jason+Caternolo+%40jcaternolo.jpg</image:loc>
      <image:title>Queer Metals Essay - Make it stand out</image:title>
      <image:caption>Amparo Pons Grau, Portable First Aid Kits, photo: Jason Caternolo</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/bde46bff-d8f5-4823-af15-de019eea957d/Katie+Ford%2C+Tentacle-Stache%2C+photo-Jeremy+Addington.jpg</image:loc>
      <image:title>Queer Metals Essay - Make it stand out</image:title>
      <image:caption>Katie Ford, Tentacle-Stache, photo: Jeremy Addington</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/e2a1c11f-950d-4c31-b3f0-261114b4f739/Elliot+Papp%2C+Untitled%2C+photo-artist.png</image:loc>
      <image:title>Queer Metals Essay - Make it stand out</image:title>
      <image:caption>Elliot Papp, Untitled, photo: artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/55e4efd0-534a-4d49-948e-85eb6bb467b5/Magdalena+Csipo%2C+photo-artist.jpg</image:loc>
      <image:title>Queer Metals Essay - Make it stand out</image:title>
      <image:caption>Magdalena Csipö, photo: artist</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/d3fd90ba-ec38-4a8b-88a3-e7867d3246fd/Eloise+Winter%2C+photo-Rafael+D%27Oliveira%2C+%40oxyretronave.jpg</image:loc>
      <image:title>Queer Metals Essay - Make it stand out</image:title>
      <image:caption>Eloise Winter, photo: Rafael D'Oliveira @oxyretronave</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/2d7d1e4c-006d-4bd5-a6a5-70fba4cb394c/Chris+Lucibella%2C+photo-artist.png</image:loc>
      <image:title>Queer Metals Essay - Make it stand out</image:title>
      <image:caption>Chris Lucibella, Readiness to Hand, photo: artist⁠</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/682528f9-beac-4905-8a9e-c8b4391b2af1/AnnieHiggins%2C+Metamorphosis2%2C+photo-artist.jpg</image:loc>
      <image:title>Queer Metals Essay - Make it stand out</image:title>
      <image:caption>Annie Higgins, Metamorphosis 2, photo: artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d672467fe0d04000146dc22/74252271-ac76-4a95-a68b-6e27649917f8/Craftspace+logo+large+115mm%2B.jpg</image:loc>
      <image:title>Queer Metals Essay - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
</urlset>

